| Início > Digital > Mesa de Som Digital e Interface 16 Canais Presonus StudioLive 16.4.2 Para Estúdio E Gravação Ao Vivo |
| Mesa de Som Digital e Interface 16 Canais Presonus StudioLive 16.4.2 Para Estúdio E Gravação Ao Vivo |
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ATENÇÃO: Informamos que, segundo a exigência do novo Protocolo ICMS 21/2011, os Estados do Acre, Alagoas, Amapá, Bahia, Ceará, Espírito Santo, Goiás, Maranhão, Mato Grosso, Mato Grosso do Sul, Pará, Paraíba, Pernambuco, Piauí, Rio Grande do Norte, Roraima, Rondônia, Sergipe e Distrito Federal agora exigem o pagamento antecipado da diferença de ICMS em todas as vendas efetuadas pela internet ou telemarketing. Os pedidos para entrega nestes Estados, só serão liberados após pagamento do imposto acarretado pelo Protocolo, que é a diferença de ICMS das operações interestaduais e as alíquotas internas de cada estado, senão mercadorias ficam retidas no posto fiscal do estado de destino. Este valor não está incluso no preço do produto, o cliente fará o pagamento antecipado desta guia de ICMS antes do envio do pedido e receberá a guia anexada junto à NFe, bem como o valor pago será incluso na Nota Fiscal Eletrônica, pois o Estado do Rio de Janeiro não é signatário do protocolo 21/2011.
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| Características |
A StudioLive é a mesa digital de 16 canais mais poderosa e flexivel que o mundo ja viu. Carregado com um preamplificador de microfone XMAX, conector fireware 22x18 para gravação e sistema de reprodução, 4 bandas de equalização por canal, compressores, limiter e gates, efeitos dsp, 6 aux bus, 4 subgrupos, VU de led, talkback e muito mais traz um novo nivel para a produção musical e performances ao vivo. A StudioLive tem tudo que é necessário para produção de musica ao vivo, totalizando 22 compressores, 22 limiters, 22 gates, 22 high pass filters, 2 reberbs/delay estéreo, 2 equalizadores de 31 bandas, 2 master stereo limiters e etc, salvam você de gastar mais dinheiro com periféricos extras e menos tempo para montar o sistema. BEST IN BOTH WORLDS StudioLive seamlessly integrates a professional digital mixer with a complete multi-channel recording system delivering the most creative environment available for both live performance and studio music production. Take your recording studio to the gig, and have your soundman record and even enhance your shows with the power of StudioLive. Get creative in the studio. Record with or without Fat Channel or DSP effects processing. Create mixes, loops, sound effects and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins, and completely automate your entire show using your favorite music recording and production software. StudioLive completely revolutionizes music production opening endless creative possibilities. Powerful and Easy Digital Mixing StudioLive features an innovative and intuitive ?QuickTouch? design allowing fast access to every parameter, mix, effect, and aux, allowing quick and creative control during music production. Load and save functions are also included to create snapshots of channel settings, save effect settings, totally recalling a mix, and more. All digital mixing and effects processing is done with 32-bit floating point precision for unmatched musicality. Fat Channel (EQ, Compressor, Limiter, Gate, on every channel) The heart of StudioLive is the ?Fat Channel? engaged by pressing any ?select? button, and features extensive equalization and dynamics available to every input channel, every aux output, every subgroup output, and main output. High pass filter, and four-band semi-parametric equalization algorithms are based on PreSonus? custom-designed digital EyeQ? equalizer, delivering extremely musical results. Also included in the Fat Channel are compressors, limiters and gates modeled after PreSonus? award-winning ACP88 for complete dynamics control. DSP Effects Two programmable 32-bit stereo DSP effects engines are loaded in StudioLive with a wide range of reverbs, delays, and time-based effects with easy to use parameter adjustment, tap tempo, store, recall, and scene selection for ultimate creative flexibility. Load and Save Your Settings StudioLive allows you to save all of your digital settings for quick setup and recall. Save ?scenes? (all settings), channel strips (Fat Channel), and individual DSP effects for ultimate ease, quickness and control. Professional Sound Quality StudioLive spares no expense when it comes to sound quality. All digital mixing is done with ultra high headroom 32-bit floating point processing for optimal sonic performance. Analog input and output is converted to digital audio with the highest-quality digital converters available delivering dynamic range of 118dB for spectacular sonic results and unmatched musicality. Built-in 22X18 FireWire Recording StudioLive includes PreSonus? award-winning FireWire technology with JetPLL? synchronization delivering 22 channels of recording and 18 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre or post Fat-Channel signal processing giving total flexibility and power. StudioLive can also return 18 FireWire playback channels from your recording and production software for remixing and live performance with pre-recorded tracks, as well as studio mixing using the mixer?s internal signal processing and summing algorithms. StudioLive is compatible with Mac and Windows audio recording and production software including Logic, Nuendo, Cubase, Sonar, Digital Performer, Audition and more. Computer System Requirements Below are the minimum computer system requirements for your StudioLive. Windows OS: Microsoft Windows XP and Windows Vista CPU/Clock: or Athlon 900MHz (1.5 GHz or higher recommended) Memory(RAM): 1 GB (more recommended) Macintosh OS: MacOS X 10.4.x or later (10.5 supported with driver update) CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models. Memory(RAM): 1 GB (more recommended) Windows and Macintosh Systems IEEE 1394 FireWire 400 Port Internet connection DVD-ROM drive Internal or external 7200RPM storage drive is highly recommended Microphone Preamp 1-16 (XLR Balanced) Type XLR Female, Balanced Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5dBu Frequency Response to Main Output 20 Hz to 20 kHz ±0.5dBu Input Impedance (Balanced) 1 Ohm THD to Direct Output < 0.005%, +4dBu, 20-20kHz, unity gain, unwtd THD to Main Output) <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd EIN to Direct Output +125 dB unwtd,, +130 dB A-wtd S/N Ratio to Direct Output -97 dB S/N Ratio to Main Output -94 dB Common Mode Rejection Ratio +65 dB Gain Control Range -16 dB to +67 dB (+/- 1 dB) Maximum Input Level (unity gain) +16 dBu Phantom Power +48 VDC Line Inputs Type 1/4" TRS Female, balanced mono Frequency Response to Direct Outputs 10-40 kHz, 0 / -0.5 dBu Frequency Response to Main Outputs 20-20 kHz, +/- 0.5 dBu Input Impedance 10 kO THD to Direct Output <0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd S/N Ratio to Direct Output -105 dB S/N Ratio to Main Output -94 dB Gain Control Range -20 dB to +20 dB (+/- 1 dB) Maximum Input level (unity gain) +22 dBu Tape Inputs Type 1/4? TRS Female, balanced mono Maximum Input Level +22 dBu Auxiliary Inputs Type 1/4? TRS Female, balanced (2 stereo pairs) Maximum Input Level +22 dBu Main Outputs Type Male, balanced (stereo pair); 1/4? TRS Female, balanced (stereo pair); XLR Male, balanced (mono) Rated Output Level +24 dBu Output Impedance 10 kO Aux Outputs Type 1/4? TRS Female, balanced (mono) Rated Output Level +18 dBu Output Impedance 51 O Subgroup Outputs Type 1/4? TRS Female, balanced (mono) Rated Output Level +18 dBu Output Impedance 51 O Tape Outputs Type RCA Female, unbalanced (stereo pair) Rated Output Level +18 dBu Output Impedance 100 O Control Room Outputs Type 1/4? TRS Female, balanced (stereo pair) Rated Output Level +18 dBu Output Impedance 51 O System Cross Talk Input to Output -90 dBu Adjacent Channels -87 dBu Noise Gate / Expander Threshold Range -84 dB to 0 dB Attack Time 0.5 ms Release Time 0.05s to 2s Expander Attenuation Range 2:1 Noise Gate Attenuation Range 8 Compressor Threshold Range -56 dB to 0 dB Ratio 1:1 to 14:1 Attack Time 0.2 ms to 150 ms Release Time 40 ms to 1000 ms Auto Attack and Release Attack = 10 ms, Release = 150 ms Curve Types hard and soft knee EQ Type 2nd order shelving filter (Q = 0.55) Low (Lowpass or Bandpass) 36 to 465 Hz, ± 15 dB Low Mid 90 Hz to 1.2 kHz, ±15 dB High Mid 380 Hz to 5 kHz, ±15 dB High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB Digital Audio ADC Dynamic Range (A-wtd, 48 kHz) 118 dB DAC Dynamic Range (A-wtd, 48 kHz) 118 dB FireWire S400, 400Mb/s Internal Processing 32-bit, floating point Sampling Rate 44.1, 48 kHz A/D/A Bit Depth 24 Reference Level for 0 dBFS -18 dBu Clock Jitter <20 ps RMS (20 Hz - 20 kHz) Jitter Attenuation >60 dB (1 ns in ? 1 ps out) Power Connector IEC Input-Voltage Range 90 to 240 VAC (factory-configured for country of destination) Power Requirements (continuous) 100 W Physical Length 22.35 inches (568.06 mm) Width (chassis only) 17.22 inches (437.40 mm) Width (with rack ears) 19 inches (482.60 mm) Maximum Height 6.90 inches (175.26 mm) Weight 23 lbs. |
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